Les 3: Jazz als kunstvorm

Les 4: Jazz als kunstvorm
Jazz als kunstvorm
Atheneum Leerjaar 5

Iris Smit
i.smit@rsg-enkhuizen.nl
Leerstof: H9.1, blz 204+205
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KunstMiddelbare schoolvwoLeerjaar 5

This lesson contains 18 slides, with interactive quiz, text slides and 8 videos.

time-iconLesson duration is: 60 min

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Les 4: Jazz als kunstvorm
Jazz als kunstvorm
Atheneum Leerjaar 5

Iris Smit
i.smit@rsg-enkhuizen.nl
Leerstof: H9.1, blz 204+205

Slide 1 - Slide

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1945 Oprichting verenigde naties
1945-1989 Koude oorlog
1952 Oprichting voorloper Europese Unie
1954-1968 Civil Rights Movement (USA)
1955-1975 Vietnamoorlogg
1961 Bouw Berlijnse muur
1968 Studentenopstand in Parijs
1969 Eerste mens op de maan
1977 Eerste personal computer (PC)
1989 Val Berlijnse muur

Algemene geschiedenis

Slide 2 - Slide

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BEBOP!
No more swing!
Swing-jazz is ontzettend populair, maar wordt uiteindelijk te groot om fatsoenlijk voort te bestaan. Daarnaast is er vanuit de zwarte gemeenschap behoefte om hun cultuur en de jazz te herdefiniëren. Door gedurfde experimenten ontstaat zo het genre Bebop.
Lange geïmproviseerde solo's
Geïnspireerd op bekende swingnummers
Hoger tempo* en complexere akkoordenwisselingen
Waar het tempo hoger lijkt, is de muziek eigenlijk langzamer geworden. Doordat er ruimte gecreëert wordt in de muziek, kunnen snelle en complexe solo's tussendoor worden gespeeld. 
Status verandert van massaal naar niche
Door de complexiteit wordt deze jazz minder geschikt voor een massaal publiek. Al snel krijgt Bebop de status van 'kunstmuziek'. 
Andere bezetting
De bezetting van Bebop is een stuk compacter dan de swingbands. De bezetting bestaat vaak uit piano, contrabas en drums. 
BEBOP!

Slide 3 - Slide

Genres that grow too big eventually will fall. This was no different with Swing. Not only became it difficult to maintain such large, expensive orchestras, but more and more white people were copying the music. Though Jazz had always been less racially restricted than Blues, a number of black Jazz musicians felt a need to redefine black Jazz culture with a new, radical genre: Bebop. Their dissatisfaction is reflected in Bebop’s trademarks: frantic, chaotic and aggressive.
Bebop (or simply “Bop”) is one of the most revolutionary types of Jazz (and music). Why? Because it makes the music faster by making it slower. How? By stretching (thus slowing down) the tempo, a lot of silent gaps opened up between the beats. This free space could be filled in freely (improvised) with drum rolls, rhythmic breaks and superfast, harmonic melodies, usually in vibrato. Musicians also regularly imitate trumpet solos with their voice, leading to a new, fast singing technique called “scatting”. The word “bebop” itself comes from scatting, as it is as an often used onomatopoeia. The difference between Jazz from the past was so huge, that people eventually coined the term “Modern Jazz”, which later also included other experimental genres such as Hard Bop and Free Jazz.
Many wannabe Bebop musicians went downhill because they wrongly believed that heroin, which was very cheap during the forties, was an inherent part of Jazz culture. Their personal but also social problems (racism) illustrate the dark side of Bebop. This was no happy music, but the psychotic screams of struggling musicians, who didn’t care whether you loved or hated their music.
Around 1982, Bebop experiences a strong revival known as Neobop (or sometimes called Neo-Con (= conservative) Jazz). A lot of young Jazz scholars were not interested in the new possibilities of Fusion, and chose to concentrate on the old school (with influences from Free and Modal Jazz): straight, acoustic Jazz but rich and vibrant. A type of Jazz where they could show off their technical skills that would otherwise have been masked by the eclecticism of Fusion.

Slide 4 - Video

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Kijkopdracht:
Vergelijk de Swingjazz met Bebop
Tempo
Let op het tempo van beide fragmenten.
Dynamiek
Is er een verschil in dynamiek?
Harmonie
Is er een verschil in harmonie? Is er een meer dissonant dan de ander?

Slide 5 - Slide

Genres that grow too big eventually will fall. This was no different with Swing. Not only became it difficult to maintain such large, expensive orchestras, but more and more white people were copying the music. Though Jazz had always been less racially restricted than Blues, a number of black Jazz musicians felt a need to redefine black Jazz culture with a new, radical genre: Bebop. Their dissatisfaction is reflected in Bebop’s trademarks: frantic, chaotic and aggressive.
Bebop (or simply “Bop”) is one of the most revolutionary types of Jazz (and music). Why? Because it makes the music faster by making it slower. How? By stretching (thus slowing down) the tempo, a lot of silent gaps opened up between the beats. This free space could be filled in freely (improvised) with drum rolls, rhythmic breaks and superfast, harmonic melodies, usually in vibrato. Musicians also regularly imitate trumpet solos with their voice, leading to a new, fast singing technique called “scatting”. The word “bebop” itself comes from scatting, as it is as an often used onomatopoeia. The difference between Jazz from the past was so huge, that people eventually coined the term “Modern Jazz”, which later also included other experimental genres such as Hard Bop and Free Jazz.
Many wannabe Bebop musicians went downhill because they wrongly believed that heroin, which was very cheap during the forties, was an inherent part of Jazz culture. Their personal but also social problems (racism) illustrate the dark side of Bebop. This was no happy music, but the psychotic screams of struggling musicians, who didn’t care whether you loved or hated their music.
Around 1982, Bebop experiences a strong revival known as Neobop (or sometimes called Neo-Con (= conservative) Jazz). A lot of young Jazz scholars were not interested in the new possibilities of Fusion, and chose to concentrate on the old school (with influences from Free and Modal Jazz): straight, acoustic Jazz but rich and vibrant. A type of Jazz where they could show off their technical skills that would otherwise have been masked by the eclecticism of Fusion.

Slide 6 - Video

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Slide 7 - Video

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COOL JAZZ
Iets langzamer en 'cooler' mag wel
Na de Bebop ontstaat een rustigere en meer 'laid-back' vorm van jazz: de cool jazz.
Langzamer dan bebop
Eenvoudigere akkoorden
Ondanks de eenvoudigheid van de akkoorden en de solo's, zijn ze technisch zeer hoogstaand.
COOL JAZZ

Slide 8 - Slide

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Slide 9 - Video

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FREE JAZZ
Complete bevrijding
Ornette Coleman breekt door zijn album Free Jazz (1960) volledig met harmonieën en vaste akkoordopvolgingen. Het is een collectieve improvisatie van muzikanten waarin volledige vrijheid geldt. 
In welke vormgevingsaspecten van de muziek hoor je terug dat Coleman streeft naar volledige vrijheid in de Jazz?

Slide 10 - Slide

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Slide 11 - Video

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Slide 12 - Video

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Abstract expressionisme
Schilderen van binnenuit
Na de horror van WOII vindt Pollock dat kunstenaars meer nodig hebben dan het schilderen van wat zichtbaar is. Hij pleit voor het maken van kunst vanuit jezelf.

Slide 13 - Slide

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Abstract expressionisme
Mark Rothko
Wil zijn publiek het schilderij inzuigen en gebruikt hiervoor talloze lagen transparante kleurvlakken. Het is typisch Amerikaans door de grootsheid en meeslependheid.

Slide 14 - Slide

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Vraag:
Benoem een overeenkomst tussen de Romantiek (schilderkunst) en de werken van Mark Rothko.

Slide 15 - Slide

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Slide 16 - Video

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Slide 17 - Video

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In welke aspecten komen Free jazz en het werk van Pollock overeen met elkaar?

Slide 18 - Open question

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