Act 2

Goals today
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Slide 1: Slide
EngelsFurther Education (Key Stage 5)

This lesson contains 35 slides, with interactive quiz, text slides and 1 video.

Items in this lesson

Goals today

Slide 1 - Slide

Words to use/learn (AWL list 1) 
Assume 
Available 
Consistent 
Identify 
Interpretation 
Occur 
Section 



 




Words to learn/use (terminology) 
Plot 
sub-plot  
Exposition 
complication 
resolution/denouement
Well-made play 
parallels & contrasts 

Write this vocabulary down in their columns 
Tick the words off as you use them in your written and spoken work. 

Slide 2 - Slide

Read Act 1 
Read the stage directions at the beginning of Act 2 and up until Mrs Linde enters.  

1. How could the "burnt-down candle-ends" reflect Nora's mood?
2. The stripped Christmas tree shows that time has passed, but it also could have a symbolic weight. What abstract idea could the Christmas tree symbolise? Look back to Act 1 to find references to the Christmas tree. 
3. What are the implications of Nora saying about her fancy dress that she "should like to tear it into a hundred thousand pieces." ? 

Slide 3 - Slide

How is the symbolism of the Christmas tree developed?

Slide 4 - Slide

Symbols are objects, characters, figures, or colors used to represent abstract ideas or concepts.


The Christmas tree, a festive object meant to serve a decorative purpose, symbolises Nora’s position in her household as a plaything who is pleasing to look at and adds charm to the home. There are several parallels drawn between Nora and the Christmas tree in the play. Just as Nora instructs the maid that the children cannot see the tree until it has been decorated, she tells Torvald that no one can see her in her dress until the evening of the dance. Also, at the beginning of the second act, after Nora’s psychological condition has begun to erode, the stage directions indicate that the Christmas tree is correspondingly “dishevelled.” 


Note if you notice that the stage direction indicates that a character should move towards or away from the Christmas tree. 

Slide 5 - Slide

Slide 6 - Link

Rising tension 
1. Look at the exchange between Nora and Anne (the nurse) concerning the children. What sense is there that tragedy may be on its way? 
2. Discuss the methods Nora uses to get her husband to employ Krogstad. How do these contribute to the changing atmosphere in the play? 
3. Once again, darkness falls in the act. What does Doctor Rank reveal  during this conversation with Nora?  Why do you think that Nora responds to him in the way she does? 








Although in the play Dr. Rank's ailment is called "spinal consumption", critics generally agree that the disease is actually syphilis. The Doctor inherited the disease from his father, who was known to have lived a dissolute life with a number of different mistresses.
Find and note quotes that are relevant for these questions. 

Slide 7 - Slide

1. Nurse " What out again in this dreadful weather? You'll catch a cold, ma'am and make yourself ill. ." 
2. Nora "Yes, but, nurse, I shall not be able to be so much with them now as I was before." 
3. Nora "Do you think they'd forget their mother if she went away altogether?" 
4. Nora "If only I dared to go out. If only no one would come. 
Helmer " Because such an atmosphere of lies infects and poisons the whole life of a home. Each breath the children take in such a house is full of the germs of evil." 

Slide 8 - Slide

1. Nora "Splendid! But don't you think it is nice of me, too, to do as you wish?"
2. Nora "If your little squirrel were to ask you for something very, very prettily?" 
3. Nora "I would play the fairy, and dance for you in the moonlight, Torvald." 
4. Nora " This fellow writes in the most scurrilous newspapers; you have told me so yourself. He can do you an unspeakable amount to harm. I am frightened to death of him."
5. Nora "We ought to be so well off, so snug and happy, here in our peaceful home and have no cares --you and I and the children"


Infantilization 
loss of social status
Danger to the family. Loss of reputation. 
Flattery

Slide 9 - Slide

Goals today
You will consider some aspects of Act 2
You will collect some information about a new symbol 
You will compare and contrast two productions 

Slide 10 - Slide

Word of the day
Superfluous (adj) - beyond what is necessary, excessive
The speaker's explanation of the process was superfluous; the audience already understood the objective. 

Slide 11 - Slide

Word of the day
Decide whether each word below is a synonym or an antonym of superfluous 
extra   inessential   bare    wasteful     necessary
minimal     extravagant       surplus     sparse   scanty

Slide 12 - Slide

Word of the day
Decide whether each word below is a synonym or an antonym of superfluous 
Synonyms: extra, inessential, wasteful, extravagant, surplus 
Antonyms: bare, necessary, minimal, sparse, scanty

Slide 13 - Slide

Add to your AWL list 
obstinate: unreasonably determined, especially to act in a particular way and not to change at all, despite what anyone else says
Narrow-minded = not willing to accept ideas or ways of behaving that are different from your own.
Petty = complaining too much about things that are not important:
Flattery = excessive and insincere praise, given especially to further one's own interests.

Slide 14 - Slide

1. Rank " Lately I have been taking stock of my internal economy. Bankrupt! Probably within a month I shall lie rotting in the churchyard." 
2. Rank "I shall know pretty certainly when it will be that the horrors of dissolution will begin." 
3. Rank " To have to pay this penalty for another man's sin?"
4. Rank " My poor innocent spine has to suffer for my father's youthful amusements." 
5. Nora [looks at him for a moment]. For shame! [Hits him lightly on the ear with the stockings.] That's to punish you. [Folds them up again.] 



Slide 15 - Slide

Rising tension 
4. Krogstad raises a hideous vision of Nora’s body being found after she has committed suicide. How far does the audience believe this is a likely outcome? 
5. How are blackmail and manipulation used to dramatic effect in this act? 

Find and mark quotes that are relevant for these questions. 

Slide 16 - Slide

1. Krogstad "If you stood there with ever so much money in your hand, I would never part with your bond."
2. Krogstad "Or even something worse --" 
3. Krogstad "I'm not asking your husband for a penny." 
4. Krogstad "I want to rehabilitate myself "
 5. Krogstad "get into the Bank again, in a higher position. Your husband must make a place for me." 
Krogstad "Under the ice, perhaps? Down into the cold, coal-black water? And then, in spring, to float up to the surface, all horrible and unrecognisable, with your hair fallen out--" 

Slide 17 - Slide

Act 2 

1. What was in Krogstad's letter to Helmer?
2. How does Mrs. Linde plan to help Nora?
3. By the end of Act Two, Nora has come to a decision. What is it?




Slide 18 - Slide

Goals today
Sit with your chosen partner 
You will collect some information about a symbol 
You will compare and contrast two productions 
You will consider the system in which our characters are operating 
You will look closely at an extract and prepare a structure for a guiding question

Slide 19 - Slide

Word of the day
Emulate (vb) - to try to equal by imitating. 




Use emulate in your own sentence that shows your understanding of the word. 
Many teenagers try to emulate their favourite influencers by copying their fashions. 

Slide 20 - Slide

Tarantella
is a folk dance of Italy characterized by light, quick steps and teasing, flirtatious behaviour between partners; women dancers frequently carry tambourines. The music is in lively 6/8 time. The tarantella’s origin is connected with tarantism, a disease or form of hysteria that appeared in Italy in the 15th to the 17th century and that was obscurely associated with the bite of the tarantula spider; victims seemingly were cured by frenzied dancing. All three words ultimately derive from the name of the town of Taranto, Italy. Tarantellas were written for the piano by Frédéric Chopin, Franz Liszt, and Carl Maria von Weber.

Slide 21 - Slide

Slide 22 - Video

Read Act 1 
Comparative 

What are the differences and similarities between the two productions of the Tarantella in A Doll's House

 similarities 
Young Vic 2012
BBC 1992
Differences 
Young Vic 
BBC 1992 
Mood/atmosphere
Concept(s)
Physicality 
Development Nora's character
Free choice 

Slide 23 - Slide

Slide 24 - Link

Act 1
Concepts HL lang & lit 
A Doll's House 
Concepts we generated: 
Identity, (marriage) relationships, ethics, gender roles, money 

Slide 25 - Slide

Act 1
Concepts HL literature 
Concepts we generated: 
Identity, (marriage) relationships, power dynamics, society, deceit
timer
1:00

Slide 26 - Slide

Read Act 1 
Patriarchal society 


What are the parts of the system?
Who are the people connected to the system?
How do the people in the system interact with each other and with the parts of the system?
How does a change in one element of the system affect the various parts and people connected to the system?
Discuss these questions with your partner

Slide 27 - Slide

Slide 28 - Slide

Read Act 1 
Read the extract from the end of Act 2 
1. Where does this extract appear in the play? What happens before and after it? Think of the position it takes in the narrative arc or in Freytag's pyramid. 
2. Annotate all stage and speech directions. How do these convey information about the mood and tension in this part of the play? How do they convey information regarding symbols in the play? 
3. Look closely and annotate the diction choices that Ibsen gives to each character. How do these choices reflect their position in the system and their relationship to other characters? 

timer
1:00

Slide 29 - Slide

Read Act 1 
Guiding question 


How does Ibsen convey a sense of Nora’s desperation? How does each of the other characters react to the signs of it?

Make a plan for a one or two paragraph response. The number of paragraphs is dependent on the number of main points that you wish to make. 

Slide 30 - Slide

Read Act 1 
-Construct a topic sentence that can be debated and include the topic, thesis or theme of this extract and why Ibsen includes it in the play. 
- short summary of the content of the extract. 
- two, three or more quotes from the extract to support your TS.
- analysis of the the reason why Ibsen included these techniques in this extract. 
-Link to your TS
What you should include in your paragraph 
Write your paragraph(s) and put them in your class notebook portfolio.

Slide 31 - Slide

Share your topic sentence

Slide 32 - Open question

Read Act 1 
Write your paragraph(s) and put them in your class notebook portfolio.

Slide 33 - Slide

Read Act 1 
In this extract taken from the end of Act 2, Ibsen successfully conveys Nora’s desperation and increases the tension in the play. In the extract Nora practices dancing the Tarantella to distract Torvald from looking at the letters in the letter box and thus discovering Nora’s secret. Dr Rank and Mrs Linde act as onlookers and are witnesses to the conflict in the Helmer’s relationship. Ibsen employs stage directions to reveal the integral use of symbols which support the concept of marital relationships. The several doorways are blocked by the male characters as Dr Rank stands initially “in the doorway” and Torvald moves “towards the hall door” allowing Nora no escape from her situation. She is forced to play the “first bars of the Tarantella” to stop Torvald “in the doorway”. Nora’s feelings of entrapment are thus highlighted for the audience through the character’s physical confinement on the stage as all the exits are barred. Whilst dancing Nora’s “hair comes down and falls over her shoulders”; however, she pays no heed to this. This stage direction adds to her loss of control and her anxiety. Her carefully constructed exterior pose is starting to unravel and, similarly to the Christmas tree become dishevelled. 

Slide 34 - Slide

Read Act 1 
Furthermore, Nora’s despair is highlighted through her interaction with Torvald, Dr Rank and Mrs Linde. Ibsen uses specific diction choices to illustrate a change in Torvald and Nora’s relationship. Whereas Torvald referred to Nora using pleasant endearments in Act 1, he now reveals his frustration with her and tries to exert his control again by using extreme infantilizing and demeaning phrases. For example, “you helpless little mortal” and “The child shall have her way”. The relationship with Dr Rank has also changed during Act 2. When he states, “Let me play for her”, the audience understands how poignant his role has become as supporter and secret admirer. Torvald’s cry of “this is sheer madness” reveals how Nora is viewed by the two male characters, and Mrs Linde stands “spell-bound in the doorway” and only utters Oh! This confirms for the audience that Nora has become isolated from these characters and is starting to feel that her position is hopeless. All her tricks to manipulate the other characters appear to no longer be working.

Slide 35 - Slide