A Short History of Jazz

What is Jazz?

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New lesson editorMuziekMiddelbare schoolmavoLeerjaar 3

This lesson contains 30 slides, with interactive quizzes and text slides.

time-iconLesson duration is: 30 min
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What is Jazz?

Open with the idea that jazz is not one single sound. The lesson traces how it began in Black American communities and changed across different decades.

Why?

A lot of people, even trained musicians ask this question all the time -


WHAT IS JAZZ?

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What words come to mind when you hear jazz?

Use this to surface prior ideas, feelings and stereotypes about jazz before the history section begins.

Where jazz began

Jazz is a genre of Black American music.


It started at the turn of the 20th century around New Orleans, USA.

Stress that New Orleans was a meeting place of cultures, musicians and traditions. Keep the wording clear and age-appropriate while centring Black American origins.

Roots of jazz

Jazz finds its roots in many styles of music such as:

  • Blues

  • Ragtime

  • European classical music

  • African ritual music

  • Spirituals/hymns

  • Marching band / Fanfare.

The user mentioned adding short listening clips. This slide is a good place for the teacher to play very short examples from each root style.

What makes jazz feel like jazz?

Keep this as a simple musical introduction rather than a technical theory slide. If helpful, mention call-and-response and swing feel in plain language.

Jazz spreads across time (and the world)

Since the 1920s, jazz has become widely recognised across the world.


Over the last 100 years, it has taken many forms and has also influenced many other kinds of music.

This slide sets up the timeline. Emphasise change over time: jazz keeps developing rather than staying fixed.

A timeline with many branches

The teacher mentioned a large tree image. Refer to it here to show that the simplified decade timeline is only one way to understand jazz history.

Where did jazz begin?

A

Chicago

B

New Orleans

C

New York

D

London

Checks the key origin point from the opening slides.

What part of jazz feels most interesting to you so far?

Discussion prompt. Good answers may mention rhythm, groove, improvisation, musicians responding to each other, or mixed roots. There is no single correct answer.

1920s: New Orleans and Dixieland










Pictured: Bessie Smith

If you use a clip, choose something short that shows collective ensemble playing or Armstrong's phrasing. You can note that blues and jazz were closely connected in this period.

1930s: The swing era













Pictured: Mary Lou Williams with big band

If useful, contrast this with the smaller groups of the 1920s. Mary Lou Williams also appears later, showing that one musician can shape more than one era.

1940s: Vibe shift: Bebop













Pictured: Dorothy Ashby

This is a key turning point in the arc: jazz shifts from dance-centred public music to music often valued for close listening and skill.

What was swing strongly linked to in the 1930s?

A

Dancing

B

Meditation

C

DIY culture

D

Classical opera

Tests the contrast set up before bebop.

Do you think bebop sounds more like dance music or listening music?

1

Mostly dance

2

Mostly listening

3

Both

4

Not sure

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1950s: Cool bop and hard bop










Pictured: Jutta Hipp

You do not need to define cool bop and hard bop in great detail for this age group; the key idea is that jazz was not just one sound.

1960s: Modal and free jazz













Pictured: Carla Bley

Avoid deep theory language. The important idea is experimentation and widening freedom.

1970s: Jazz-rock fusion













Pictured: Patrice Rushen

Use Miles Davis as a timeline anchor: the same artist can belong to more than one chapter because jazz history is about change.

1980s: New tradition, new polish










Pictured: Emily Remler

The main teaching point is that jazz history is not simply 'old replaced by new'. Older approaches can return in new forms.

1990s: Hip-hop fusion and tradition










Pictured: Regina Carter

Frame this as another example of jazz interacting with the music around it. Keep the focus on influence and mixture rather than detailed genre debate.

What genre would you like to hear mixed with jazz?

Discussion prompt. Students may mention relaxed, intense, meditative, unpredictable, spacious or free sounds. Encourage comparison language.

2000s: Bop revival










Pictured: Terri Lyne Carrington

If needed, explain revival simply as bringing an older style back into focus for a new time.

2010s: Groove and crossover










Pictured: Esperanza Spalding

This is a good place for a short clip that sounds recognisably modern while still showing improvisation and jazz harmony.

2020s: Genre mixing and DIY culture

  • Today's jazz scene often crosses many genre boundaries

  • Musicians can build audiences in more independent ways

  • Nubya Garcia, Domi Louana and Jaimie Branch represent parts of this current scene

The user wrote 'DIY culture'; keep this broad and accessible as independent, self-shaped music-making and sharing.

So much changes, but...

What stays the same in jazz?

This resolves the central question by tying the whole timeline together: jazz changes constantly, but certain core features remain.

Why do you think people still love jazz today?

Discussion prompt. Students may mention improvisation, history, musicianship, genre mixing, or each generation adding something new.

What is one thing you learned about jazz today?

Exit ticket reflection with no right answer. Invite one clear takeaway from the lesson.

What part of jazz history felt hardest to understand?

Exit ticket reflection with no right answer. Use responses to see what may need reteaching.

Exercise

Take 10 minutes to go meet with your teammate(s)


Introduce us to an important woman in jazz history


E.g.

When was she alive? (is she still alive?)
What kind of music is she known for?
What instrument(s) did she play?

Fun fact?

This resolves the central question by tying the whole timeline together: jazz changes constantly, but certain core features remain.

Example - Regina Carter

Regina Carter was born in 1966 in Detroit, and is still alive with an active career.


She made her career in the late 80s but began as a solo artist in the mid-late 1990s.

She is a violinist.


Fun fact? She was the first jazz musician to play a violin made in 1743, played by famous classical violinist Niccolo Paganini.

This resolves the central question by tying the whole timeline together: jazz changes constantly, but certain core features remain.