St Joost Inspiratiecollege
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Lesson duration is: 60 minItems in this lesson
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Muziek > bijdrage aan verhaal
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‘Persepolis’ is a unique and authentic piece of art. As the majority of people tend to judge a book by its cover, it is essential to tell that the cover of ‘Persepolis. The story of a Childhood’ is the most colorful part of the book. The bright red background attracts a reader and scares them at the same time. The aggressiveness it holds serves as a pre-introduction to the story. It is followed by the panels, which are depicted in a violent but simple way. The events described in the book are serious and traumatic. This combination of trauma and a naïve perspective of a child are contradicting, but thanks to them a special, even more realistic setting appears before a reader. In such a way, the design and colors work to reflect author’s attitude towards the tragedy happening in her country. Anothkic0000013er thing to consider is the use of traditions of Persian art in Persepolis. As Chute argues these avant-garde patterns ‘call attention to the horror of history’. The same techniques Satrapi uses in her book were used in German Expressionism. ‘German Expressionism is an artistic genre that originated in Europe in the 1920s, and is broadly defined as the rejection of Western conventions, and the depiction of reality that is widely distorted for emotional effect.’
Persepolis page 142Minimalism is an outstanding feature of ‘Persepolis’ that creates a particular atmosphere of the story.
The use of black and white makes the representation of the events more accurate. It has a strong influence on the way a reader perceives the story. Satrapi explains: ‘Violence today has become something normal, so banal – that is to say everybody thinks it’s normal. But it’s not normal. To draw it and put it in color – the color of flesh and the red of the blood, and so forth – reduces it by making it realistic’ (Hajdu 2004,35).
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‘Persepolis’ is a unique and authentic piece of art. As the majority of people tend to judge a book by its cover, it is essential to tell that the cover of ‘Persepolis. The story of a Childhood’ is the most colorful part of the book. The bright red background attracts a reader and scares them at the same time. The aggressiveness it holds serves as a pre-introduction to the story. It is followed by the panels, which are depicted in a violent but simple way. The events described in the book are serious and traumatic. This combination of trauma and a naïve perspective of a child are contradicting, but thanks to them a special, even more realistic setting appears before a reader. In such a way, the design and colors work to reflect author’s attitude towards the tragedy happening in her country. Anothkic0000013er thing to consider is the use of traditions of Persian art in Persepolis. As Chute argues these avant-garde patterns ‘call attention to the horror of history’. The same techniques Satrapi uses in her book were used in German Expressionism. ‘German Expressionism is an artistic genre that originated in Europe in the 1920s, and is broadly defined as the rejection of Western conventions, and the depiction of reality that is widely distorted for emotional effect.’
Persepolis page 142Minimalism is an outstanding feature of ‘Persepolis’ that creates a particular atmosphere of the story.
The use of black and white makes the representation of the events more accurate. It has a strong influence on the way a reader perceives the story. Satrapi explains: ‘Violence today has become something normal, so banal – that is to say everybody thinks it’s normal. But it’s not normal. To draw it and put it in color – the color of flesh and the red of the blood, and so forth – reduces it by making it realistic’ (Hajdu 2004,35).
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‘Persepolis’ is a unique and authentic piece of art. As the majority of people tend to judge a book by its cover, it is essential to tell that the cover of ‘Persepolis. The story of a Childhood’ is the most colorful part of the book. The bright red background attracts a reader and scares them at the same time. The aggressiveness it holds serves as a pre-introduction to the story. It is followed by the panels, which are depicted in a violent but simple way. The events described in the book are serious and traumatic. This combination of trauma and a naïve perspective of a child are contradicting, but thanks to them a special, even more realistic setting appears before a reader. In such a way, the design and colors work to reflect author’s attitude towards the tragedy happening in her country. Anothkic0000013er thing to consider is the use of traditions of Persian art in Persepolis. As Chute argues these avant-garde patterns ‘call attention to the horror of history’. The same techniques Satrapi uses in her book were used in German Expressionism. ‘German Expressionism is an artistic genre that originated in Europe in the 1920s, and is broadly defined as the rejection of Western conventions, and the depiction of reality that is widely distorted for emotional effect.’
Persepolis page 142Minimalism is an outstanding feature of ‘Persepolis’ that creates a particular atmosphere of the story.
The use of black and white makes the representation of the events more accurate. It has a strong influence on the way a reader perceives the story. Satrapi explains: ‘Violence today has become something normal, so banal – that is to say everybody thinks it’s normal. But it’s not normal. To draw it and put it in color – the color of flesh and the red of the blood, and so forth – reduces it by making it realistic’ (Hajdu 2004,35).
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‘Persepolis’ is a unique and authentic piece of art. As the majority of people tend to judge a book by its cover, it is essential to tell that the cover of ‘Persepolis. The story of a Childhood’ is the most colorful part of the book. The bright red background attracts a reader and scares them at the same time. The aggressiveness it holds serves as a pre-introduction to the story. It is followed by the panels, which are depicted in a violent but simple way. The events described in the book are serious and traumatic. This combination of trauma and a naïve perspective of a child are contradicting, but thanks to them a special, even more realistic setting appears before a reader. In such a way, the design and colors work to reflect author’s attitude towards the tragedy happening in her country. Anothkic0000013er thing to consider is the use of traditions of Persian art in Persepolis. As Chute argues these avant-garde patterns ‘call attention to the horror of history’. The same techniques Satrapi uses in her book were used in German Expressionism. ‘German Expressionism is an artistic genre that originated in Europe in the 1920s, and is broadly defined as the rejection of Western conventions, and the depiction of reality that is widely distorted for emotional effect.’
Persepolis page 142Minimalism is an outstanding feature of ‘Persepolis’ that creates a particular atmosphere of the story.
The use of black and white makes the representation of the events more accurate. It has a strong influence on the way a reader perceives the story. Satrapi explains: ‘Violence today has become something normal, so banal – that is to say everybody thinks it’s normal. But it’s not normal. To draw it and put it in color – the color of flesh and the red of the blood, and so forth – reduces it by making it realistic’ (Hajdu 2004,35).
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‘Persepolis’ is a unique and authentic piece of art. As the majority of people tend to judge a book by its cover, it is essential to tell that the cover of ‘Persepolis. The story of a Childhood’ is the most colorful part of the book. The bright red background attracts a reader and scares them at the same time. The aggressiveness it holds serves as a pre-introduction to the story. It is followed by the panels, which are depicted in a violent but simple way. The events described in the book are serious and traumatic. This combination of trauma and a naïve perspective of a child are contradicting, but thanks to them a special, even more realistic setting appears before a reader. In such a way, the design and colors work to reflect author’s attitude towards the tragedy happening in her country. Anothkic0000013er thing to consider is the use of traditions of Persian art in Persepolis. As Chute argues these avant-garde patterns ‘call attention to the horror of history’. The same techniques Satrapi uses in her book were used in German Expressionism. ‘German Expressionism is an artistic genre that originated in Europe in the 1920s, and is broadly defined as the rejection of Western conventions, and the depiction of reality that is widely distorted for emotional effect.’
Persepolis page 142Minimalism is an outstanding feature of ‘Persepolis’ that creates a particular atmosphere of the story.
The use of black and white makes the representation of the events more accurate. It has a strong influence on the way a reader perceives the story. Satrapi explains: ‘Violence today has become something normal, so banal – that is to say everybody thinks it’s normal. But it’s not normal. To draw it and put it in color – the color of flesh and the red of the blood, and so forth – reduces it by making it realistic’ (Hajdu 2004,35).
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‘Persepolis’ is a unique and authentic piece of art. As the majority of people tend to judge a book by its cover, it is essential to tell that the cover of ‘Persepolis. The story of a Childhood’ is the most colorful part of the book. The bright red background attracts a reader and scares them at the same time. The aggressiveness it holds serves as a pre-introduction to the story. It is followed by the panels, which are depicted in a violent but simple way. The events described in the book are serious and traumatic. This combination of trauma and a naïve perspective of a child are contradicting, but thanks to them a special, even more realistic setting appears before a reader. In such a way, the design and colors work to reflect author’s attitude towards the tragedy happening in her country. Anothkic0000013er thing to consider is the use of traditions of Persian art in Persepolis. As Chute argues these avant-garde patterns ‘call attention to the horror of history’. The same techniques Satrapi uses in her book were used in German Expressionism. ‘German Expressionism is an artistic genre that originated in Europe in the 1920s, and is broadly defined as the rejection of Western conventions, and the depiction of reality that is widely distorted for emotional effect.’
Persepolis page 142Minimalism is an outstanding feature of ‘Persepolis’ that creates a particular atmosphere of the story.
The use of black and white makes the representation of the events more accurate. It has a strong influence on the way a reader perceives the story. Satrapi explains: ‘Violence today has become something normal, so banal – that is to say everybody thinks it’s normal. But it’s not normal. To draw it and put it in color – the color of flesh and the red of the blood, and so forth – reduces it by making it realistic’ (Hajdu 2004,35).
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‘Persepolis’ is a unique and authentic piece of art. As the majority of people tend to judge a book by its cover, it is essential to tell that the cover of ‘Persepolis. The story of a Childhood’ is the most colorful part of the book. The bright red background attracts a reader and scares them at the same time. The aggressiveness it holds serves as a pre-introduction to the story. It is followed by the panels, which are depicted in a violent but simple way. The events described in the book are serious and traumatic. This combination of trauma and a naïve perspective of a child are contradicting, but thanks to them a special, even more realistic setting appears before a reader. In such a way, the design and colors work to reflect author’s attitude towards the tragedy happening in her country. Anothkic0000013er thing to consider is the use of traditions of Persian art in Persepolis. As Chute argues these avant-garde patterns ‘call attention to the horror of history’. The same techniques Satrapi uses in her book were used in German Expressionism. ‘German Expressionism is an artistic genre that originated in Europe in the 1920s, and is broadly defined as the rejection of Western conventions, and the depiction of reality that is widely distorted for emotional effect.’
Persepolis page 142Minimalism is an outstanding feature of ‘Persepolis’ that creates a particular atmosphere of the story.
The use of black and white makes the representation of the events more accurate. It has a strong influence on the way a reader perceives the story. Satrapi explains: ‘Violence today has become something normal, so banal – that is to say everybody thinks it’s normal. But it’s not normal. To draw it and put it in color – the color of flesh and the red of the blood, and so forth – reduces it by making it realistic’ (Hajdu 2004,35).
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Toen begon ik pas echt te experimenteren met kleur, een losse tekenstijl, aquarellen, veel tekstballonnen, een verteller, meerdere personages, kaders/geen kaders, … letterlijk alles wat ik voorheen niet durfde te doen. Daarom oogt Tram 5 misschien wat chaotisch, maar het past wel bij het verhaal. Ik heb geleerd dat de stijl het verhaal moet volgen en niet omgekeerd.
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The Women Who Changed Art Forever brings readers directly into artists’ lives: we see their stories as a sequence of images and feel like we were in their heads as if we were part of their thoughts.
Empathy is one of the reading keys of this graphic novel and of feminism itself: being able to see the artist’s faces and memories adds an emotional value that lets the reader better understand their point of view. And this narrative method is also important because it makes the artists define themselves and not be described by an external gaze.
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