In deze les zitten 47 slides, met interactieve quizzen en tekstslides.
Onderdelen in deze les
What do you already know about colour?
Slide 1 - Open vraag
Lesson objectives
Recreate the colour wheel - Explain the difference between a primary colour and secondary colour
Describe the difference between a depth and tone
Explain where these tones sit on the colour wheel and how the colour wheel is used within hairdressing.
Describe the difference between Eumelanin and Pheomelanin
Slide 2 - Tekstslide
Keywords
Primary colour
Secondary colour
Depth
Tone
Eumelanin
Pheomelanin
Slide 3 - Tekstslide
207 - The art of colouring hair
Exam date - 24th March at 1pm
Slide 4 - Tekstslide
Slide 5 - Tekstslide
Task
On your tables, discuss what you think the following are:
Primary colour
Secondary colour
Tertiary colour
Be ready to feedback to the class.
timer
3:00
Slide 6 - Tekstslide
Primary Colours
They are the source of all other colours.
Primary colour cannot be made by mixing colour together.
Slide 7 - Tekstslide
Secondary Colours.
Secondary colours can be made by mixing primary colour together.
Slide 8 - Tekstslide
Basic colour wheel
The basic colour wheel shows our 3 primary colours and 3 secondary colours.
Slide 9 - Tekstslide
What is the main use for the colour wheel in hairdressing?
Slide 10 - Open vraag
Neutralising colour tone
The main reason for using the colour wheel in hairdressing is to identify tones which neutralise (cancel) each other. At level 2 this is used when highlighting and also used within colour correction at level 3.
We can also use it to identify colours which COMPLIMENT each other.
Slide 11 - Tekstslide
Slide 12 - Tekstslide
In your groups, recreate the colour wheel.
timer
3:00
Slide 13 - Tekstslide
Tertiary Colours
In the same way mixing primary colours together gives you secondary colours.
Primary and secondary colours can also be mixed to create tertiary colours.
There are six tertiary colours.
Now add the tertiary colours to your colour wheel.
Slide 14 - Tekstslide
Warm vs Cool
Slide 15 - Tekstslide
Depths and tones
Slide 16 - Tekstslide
Describe the difference between a 'Depth' and a 'Tone'
Slide 17 - Open vraag
Depth vs Tone
Depth - How light or dark the hair is.
Tone - The colour that we see (Red, Gold, Brunette etc)
Slide 18 - Tekstslide
Wella Depths
Most manufacturers will have have a 1/ or a 2/ not both. The reason for this is the human eye cannot see the difference between black and darkest brown.
Most manufacturers use the same numbering system when describing depth, this is known as the International Colour Chart (ICC)
Slide 19 - Tekstslide
Wella Numbering system
Wella uses a numbering system for both its depths and tone.
In your groups, discuss the different numbers Wella uses to describe tones. Complete the relevant section on your worksheet.
timer
5:00
Slide 20 - Tekstslide
Wella Tones
On your colour wheel, plot where you think each tone sits.
Slide 21 - Tekstslide
Slide 22 - Tekstslide
Slide 23 - Tekstslide
Task
Using the information we have discussed, complete task 2 on the depths and tones handout.
timer
5:00
Slide 24 - Tekstslide
Slide 25 - Tekstslide
Toning pre-lightened hair
Slide 26 - Tekstslide
What are the 4 main principles that we need to identify during our colour consultation?
Slide 27 - Open vraag
Colouring principles
Natural colour
Artificial colour
Target colour
Percentage of white hair
Slide 28 - Tekstslide
Natural colour pigment
Natural colour pigment is put into two categories:
Eumelanin
Pheomelanin
Read through the information sheet provided, highlight the key information and summarise the importation in the box.
timer
5:00
Slide 29 - Tekstslide
Eumelanin
Eumelanin is cool toned, and is made up of predominantly blue and green tones. Eumelanin is responsible for black and brown hair. Eumelanin are large molecules and are the first to be broken down during the lightening process
Slide 30 - Tekstslide
Pheomelanin
Pheomelanin is warmer toned, and are predominantly yellow, orange and red tones.
These are smaller molecules than eumelanin, meaning they are the hardest to remove.
Yellow is the smallest, and is the last tone to be removed from hair.
Slide 31 - Tekstslide
Slide 32 - Tekstslide
Slide 33 - Tekstslide
Underlying tone
All depths of hair have an underlying tone. The underlying tones is the Eumelanin and Pheomelanin in the hair.
These underlying tones are exposed when you start to lighten hair. You loose pigment in a certain order:
Blue and Green
Red
Orange
Yellow
Slide 34 - Tekstslide
Underlying Tones
Slide 35 - Tekstslide
Lightening curve
We use the lightening curve to show what colours are exposed at each depth.
It is important to know how many levels of lift we are trying to achieve to help determine what colour we will need to neutralise with.
Slide 36 - Tekstslide
How many tertiary colours exist?
A
Five tertiary colours
B
Four tertiary colours
C
Three tertiary colours
D
Six tertiary colours
Slide 37 - Quizvraag
What can secondary colours be made from?
A
Mixing primary colours together
B
Mixing tertiary colours
C
Using only primary colours
D
Using only neutral tones
Slide 38 - Quizvraag
What are primary colours?
A
Secondary colours
B
Tertiary colours
C
Source of all other colours
D
Made by mixing other colours
Slide 39 - Quizvraag
Which colour is not a tone?
A
Platinum
B
Gold
C
Red
D
Brunette
Slide 40 - Quizvraag
What does 'depth' refer to in hair colour?
A
How light or dark the hair is
B
The percentage of white hair
C
The type of artificial colour
D
The colour we see
Slide 41 - Quizvraag
Which tone is Eumelanin primarily associated with?
A
Yellow tones
B
Cool tones
C
Warm tones
D
Orange tones
Slide 42 - Quizvraag
What is the last tone to be removed?
A
Yellow
B
Red
C
Blue
D
Orange
Slide 43 - Quizvraag
What are the two categories of natural colour pigment?
A
Red and Yellow
B
Eumelanin and Pheomelanin
C
Cool and Warm
D
Light and Dark
Slide 44 - Quizvraag
Keyword Spotlight
Primary colour
Secondary colour
Depth
Tone
Eumelanin
Pheomelanin
timer
2:00
Slide 45 - Tekstslide
Describe one of the keywords from todays session in your own words.