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Can you think of two ways this could be interpreted?

For example: What if you view it as a homophone?

Verb or adjective?

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New lesson editorUpper Secondary (Key Stage 4)

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Look at the title

Close

Can you think of two ways this could be interpreted?

For example: What if you view it as a homophone?

Verb or adjective?

READ THE POEM 3 TIMES

Try to establish what the story is or what you feel the story is. Remember there are no wrong answers in poetry.

TIP: CAROL ANN DUFFY IS A WORD GENIUS. INTERROGATE EACH LINE AND WORD IN THIS POEM. SHE DOESN’T CHOOSE THINGS WITHOUT REASON.

IDEAS ABOUT RELATIONSHIPS IN CLOSE

Relationships change people.

WHAT IS THE EFFECT OF?

Free verse

Stanzas in quintains (5 line stanzas)

Caesura

Enjambment

Juxtaposition/contrasts

Text

Lock the door. In the dark journey of our night

two childhoods stand in the corner of the bedroom

watching the way we take each other to bits

to stare at our heart. I hear a story

told in sleep in a lost accent. You know the truth.

Who are the children? What does it tell you about the speaker’s relationship, or what has happened to it?

When the narrator says, ‘you know the truth’ what is interesting about this?

Undress. A suitcase crammed with secrets

bursts in the wardrobe at the foot of the bed.

Dress again. Undress. You have me like a drawing,

erased, coloured in, untitled, signed by your tongue.

The name of a country written in red on my palm,

Unreadable. I tell myself where I live now,

but you move in close till I shake, homeless,

further than that. A coin falls from the bedside table,

spinning its heads and tails. How the hell

can I win. How can I lose. Tell me again.

Love won't give in. It makes a hired room tremble

with the pity of bells, a cigarette smoke itself

next to a full glass of wine, time ache

into space, space, wants no more talk. Now

it has me where I want me, now you, you do.

Put out the light. Years stand outside on the street

looking up to an open window, black as our mouth

which utters its tuneless song. The ghosts of ourselves,

behind and before us, throng in a mirror, blind,

laughing and weeping. They know who we are.