St Joost Inspiratiecollege
1 / 91
Lesduur is: 60 minOnderdelen in deze les
Slide 1 - Tekstslide
Deze slide heeft geen instructies
Slide 2 - Tekstslide
Deze slide heeft geen instructies
Slide 3 - Tekstslide
Deze slide heeft geen instructies
Slide 4 - Tekstslide
Deze slide heeft geen instructies
Slide 5 - Tekstslide
Deze slide heeft geen instructies
Slide 6 - Tekstslide
Deze slide heeft geen instructies
Slide 7 - Video
Deze slide heeft geen instructies
Slide 8 - Tekstslide
Deze slide heeft geen instructies
Slide 9 - Tekstslide
Deze slide heeft geen instructies
Slide 10 - Tekstslide
Deze slide heeft geen instructies
Slide 11 - Video
Deze slide heeft geen instructies
Slide 12 - Tekstslide
Deze slide heeft geen instructies
Slide 13 - Tekstslide
Deze slide heeft geen instructies
Slide 14 - Tekstslide
Deze slide heeft geen instructies
Slide 15 - Video
Deze slide heeft geen instructies
Slide 16 - Tekstslide
Deze slide heeft geen instructies
Slide 17 - Tekstslide
Deze slide heeft geen instructies
Slide 18 - Tekstslide
Deze slide heeft geen instructies
Slide 19 - Video
Deze slide heeft geen instructies
Slide 20 - Tekstslide
Deze slide heeft geen instructies
Slide 21 - Tekstslide
Deze slide heeft geen instructies
Slide 22 - Tekstslide
Deze slide heeft geen instructies
Slide 23 - Video
Deze slide heeft geen instructies
Slide 24 - Tekstslide
Deze slide heeft geen instructies
Slide 25 - Tekstslide
Deze slide heeft geen instructies
Slide 26 - Tekstslide
Deze slide heeft geen instructies
Slide 27 - Tekstslide
Deze slide heeft geen instructies
Slide 28 - Video
Deze slide heeft geen instructies
Slide 29 - Tekstslide
Deze slide heeft geen instructies
Slide 30 - Video
Deze slide heeft geen instructies
Slide 31 - Video
Muziek > bijdrage aan verhaal
Slide 32 - Tekstslide
Deze slide heeft geen instructies
Slide 33 - Tekstslide
‘Persepolis’ is a unique and authentic piece of art. As the majority of people tend to judge a book by its cover, it is essential to tell that the cover of ‘Persepolis. The story of a Childhood’ is the most colorful part of the book. The bright red background attracts a reader and scares them at the same time. The aggressiveness it holds serves as a pre-introduction to the story. It is followed by the panels, which are depicted in a violent but simple way. The events described in the book are serious and traumatic. This combination of trauma and a naïve perspective of a child are contradicting, but thanks to them a special, even more realistic setting appears before a reader. In such a way, the design and colors work to reflect author’s attitude towards the tragedy happening in her country. Anothkic0000013er thing to consider is the use of traditions of Persian art in Persepolis. As Chute argues these avant-garde patterns ‘call attention to the horror of history’. The same techniques Satrapi uses in her book were used in German Expressionism. ‘German Expressionism is an artistic genre that originated in Europe in the 1920s, and is broadly defined as the rejection of Western conventions, and the depiction of reality that is widely distorted for emotional effect.’
Persepolis page 142Minimalism is an outstanding feature of ‘Persepolis’ that creates a particular atmosphere of the story.
The use of black and white makes the representation of the events more accurate. It has a strong influence on the way a reader perceives the story. Satrapi explains: ‘Violence today has become something normal, so banal – that is to say everybody thinks it’s normal. But it’s not normal. To draw it and put it in color – the color of flesh and the red of the blood, and so forth – reduces it by making it realistic’ (Hajdu 2004,35).
Slide 34 - Tekstslide
‘Persepolis’ is a unique and authentic piece of art. As the majority of people tend to judge a book by its cover, it is essential to tell that the cover of ‘Persepolis. The story of a Childhood’ is the most colorful part of the book. The bright red background attracts a reader and scares them at the same time. The aggressiveness it holds serves as a pre-introduction to the story. It is followed by the panels, which are depicted in a violent but simple way. The events described in the book are serious and traumatic. This combination of trauma and a naïve perspective of a child are contradicting, but thanks to them a special, even more realistic setting appears before a reader. In such a way, the design and colors work to reflect author’s attitude towards the tragedy happening in her country. Anothkic0000013er thing to consider is the use of traditions of Persian art in Persepolis. As Chute argues these avant-garde patterns ‘call attention to the horror of history’. The same techniques Satrapi uses in her book were used in German Expressionism. ‘German Expressionism is an artistic genre that originated in Europe in the 1920s, and is broadly defined as the rejection of Western conventions, and the depiction of reality that is widely distorted for emotional effect.’
Persepolis page 142Minimalism is an outstanding feature of ‘Persepolis’ that creates a particular atmosphere of the story.
The use of black and white makes the representation of the events more accurate. It has a strong influence on the way a reader perceives the story. Satrapi explains: ‘Violence today has become something normal, so banal – that is to say everybody thinks it’s normal. But it’s not normal. To draw it and put it in color – the color of flesh and the red of the blood, and so forth – reduces it by making it realistic’ (Hajdu 2004,35).
Slide 35 - Tekstslide
‘Persepolis’ is a unique and authentic piece of art. As the majority of people tend to judge a book by its cover, it is essential to tell that the cover of ‘Persepolis. The story of a Childhood’ is the most colorful part of the book. The bright red background attracts a reader and scares them at the same time. The aggressiveness it holds serves as a pre-introduction to the story. It is followed by the panels, which are depicted in a violent but simple way. The events described in the book are serious and traumatic. This combination of trauma and a naïve perspective of a child are contradicting, but thanks to them a special, even more realistic setting appears before a reader. In such a way, the design and colors work to reflect author’s attitude towards the tragedy happening in her country. Anothkic0000013er thing to consider is the use of traditions of Persian art in Persepolis. As Chute argues these avant-garde patterns ‘call attention to the horror of history’. The same techniques Satrapi uses in her book were used in German Expressionism. ‘German Expressionism is an artistic genre that originated in Europe in the 1920s, and is broadly defined as the rejection of Western conventions, and the depiction of reality that is widely distorted for emotional effect.’
Persepolis page 142Minimalism is an outstanding feature of ‘Persepolis’ that creates a particular atmosphere of the story.
The use of black and white makes the representation of the events more accurate. It has a strong influence on the way a reader perceives the story. Satrapi explains: ‘Violence today has become something normal, so banal – that is to say everybody thinks it’s normal. But it’s not normal. To draw it and put it in color – the color of flesh and the red of the blood, and so forth – reduces it by making it realistic’ (Hajdu 2004,35).
Slide 36 - Tekstslide
Deze slide heeft geen instructies
Slide 37 - Tekstslide
Deze slide heeft geen instructies
Slide 38 - Tekstslide
Deze slide heeft geen instructies
Slide 39 - Tekstslide
Deze slide heeft geen instructies
Slide 40 - Tekstslide
Deze slide heeft geen instructies
Slide 41 - Tekstslide
‘Persepolis’ is a unique and authentic piece of art. As the majority of people tend to judge a book by its cover, it is essential to tell that the cover of ‘Persepolis. The story of a Childhood’ is the most colorful part of the book. The bright red background attracts a reader and scares them at the same time. The aggressiveness it holds serves as a pre-introduction to the story. It is followed by the panels, which are depicted in a violent but simple way. The events described in the book are serious and traumatic. This combination of trauma and a naïve perspective of a child are contradicting, but thanks to them a special, even more realistic setting appears before a reader. In such a way, the design and colors work to reflect author’s attitude towards the tragedy happening in her country. Anothkic0000013er thing to consider is the use of traditions of Persian art in Persepolis. As Chute argues these avant-garde patterns ‘call attention to the horror of history’. The same techniques Satrapi uses in her book were used in German Expressionism. ‘German Expressionism is an artistic genre that originated in Europe in the 1920s, and is broadly defined as the rejection of Western conventions, and the depiction of reality that is widely distorted for emotional effect.’
Persepolis page 142Minimalism is an outstanding feature of ‘Persepolis’ that creates a particular atmosphere of the story.
The use of black and white makes the representation of the events more accurate. It has a strong influence on the way a reader perceives the story. Satrapi explains: ‘Violence today has become something normal, so banal – that is to say everybody thinks it’s normal. But it’s not normal. To draw it and put it in color – the color of flesh and the red of the blood, and so forth – reduces it by making it realistic’ (Hajdu 2004,35).
Slide 42 - Tekstslide
Deze slide heeft geen instructies
Slide 43 - Tekstslide
‘Persepolis’ is a unique and authentic piece of art. As the majority of people tend to judge a book by its cover, it is essential to tell that the cover of ‘Persepolis. The story of a Childhood’ is the most colorful part of the book. The bright red background attracts a reader and scares them at the same time. The aggressiveness it holds serves as a pre-introduction to the story. It is followed by the panels, which are depicted in a violent but simple way. The events described in the book are serious and traumatic. This combination of trauma and a naïve perspective of a child are contradicting, but thanks to them a special, even more realistic setting appears before a reader. In such a way, the design and colors work to reflect author’s attitude towards the tragedy happening in her country. Anothkic0000013er thing to consider is the use of traditions of Persian art in Persepolis. As Chute argues these avant-garde patterns ‘call attention to the horror of history’. The same techniques Satrapi uses in her book were used in German Expressionism. ‘German Expressionism is an artistic genre that originated in Europe in the 1920s, and is broadly defined as the rejection of Western conventions, and the depiction of reality that is widely distorted for emotional effect.’
Persepolis page 142Minimalism is an outstanding feature of ‘Persepolis’ that creates a particular atmosphere of the story.
The use of black and white makes the representation of the events more accurate. It has a strong influence on the way a reader perceives the story. Satrapi explains: ‘Violence today has become something normal, so banal – that is to say everybody thinks it’s normal. But it’s not normal. To draw it and put it in color – the color of flesh and the red of the blood, and so forth – reduces it by making it realistic’ (Hajdu 2004,35).
Slide 44 - Tekstslide
‘Persepolis’ is a unique and authentic piece of art. As the majority of people tend to judge a book by its cover, it is essential to tell that the cover of ‘Persepolis. The story of a Childhood’ is the most colorful part of the book. The bright red background attracts a reader and scares them at the same time. The aggressiveness it holds serves as a pre-introduction to the story. It is followed by the panels, which are depicted in a violent but simple way. The events described in the book are serious and traumatic. This combination of trauma and a naïve perspective of a child are contradicting, but thanks to them a special, even more realistic setting appears before a reader. In such a way, the design and colors work to reflect author’s attitude towards the tragedy happening in her country. Anothkic0000013er thing to consider is the use of traditions of Persian art in Persepolis. As Chute argues these avant-garde patterns ‘call attention to the horror of history’. The same techniques Satrapi uses in her book were used in German Expressionism. ‘German Expressionism is an artistic genre that originated in Europe in the 1920s, and is broadly defined as the rejection of Western conventions, and the depiction of reality that is widely distorted for emotional effect.’
Persepolis page 142Minimalism is an outstanding feature of ‘Persepolis’ that creates a particular atmosphere of the story.
The use of black and white makes the representation of the events more accurate. It has a strong influence on the way a reader perceives the story. Satrapi explains: ‘Violence today has become something normal, so banal – that is to say everybody thinks it’s normal. But it’s not normal. To draw it and put it in color – the color of flesh and the red of the blood, and so forth – reduces it by making it realistic’ (Hajdu 2004,35).
Slide 45 - Tekstslide
‘Persepolis’ is a unique and authentic piece of art. As the majority of people tend to judge a book by its cover, it is essential to tell that the cover of ‘Persepolis. The story of a Childhood’ is the most colorful part of the book. The bright red background attracts a reader and scares them at the same time. The aggressiveness it holds serves as a pre-introduction to the story. It is followed by the panels, which are depicted in a violent but simple way. The events described in the book are serious and traumatic. This combination of trauma and a naïve perspective of a child are contradicting, but thanks to them a special, even more realistic setting appears before a reader. In such a way, the design and colors work to reflect author’s attitude towards the tragedy happening in her country. Anothkic0000013er thing to consider is the use of traditions of Persian art in Persepolis. As Chute argues these avant-garde patterns ‘call attention to the horror of history’. The same techniques Satrapi uses in her book were used in German Expressionism. ‘German Expressionism is an artistic genre that originated in Europe in the 1920s, and is broadly defined as the rejection of Western conventions, and the depiction of reality that is widely distorted for emotional effect.’
Persepolis page 142Minimalism is an outstanding feature of ‘Persepolis’ that creates a particular atmosphere of the story.
The use of black and white makes the representation of the events more accurate. It has a strong influence on the way a reader perceives the story. Satrapi explains: ‘Violence today has become something normal, so banal – that is to say everybody thinks it’s normal. But it’s not normal. To draw it and put it in color – the color of flesh and the red of the blood, and so forth – reduces it by making it realistic’ (Hajdu 2004,35).
Slide 46 - Tekstslide
Deze slide heeft geen instructies
Slide 47 - Tekstslide
Deze slide heeft geen instructies
Slide 48 - Tekstslide
Toen begon ik pas echt te experimenteren met kleur, een losse tekenstijl, aquarellen, veel tekstballonnen, een verteller, meerdere personages, kaders/geen kaders, … letterlijk alles wat ik voorheen niet durfde te doen. Daarom oogt Tram 5 misschien wat chaotisch, maar het past wel bij het verhaal. Ik heb geleerd dat de stijl het verhaal moet volgen en niet omgekeerd.
Slide 49 - Tekstslide
Deze slide heeft geen instructies
Slide 50 - Tekstslide
Deze slide heeft geen instructies
Slide 51 - Tekstslide
Deze slide heeft geen instructies
Slide 52 - Tekstslide
Deze slide heeft geen instructies
Slide 53 - Tekstslide
The Women Who Changed Art Forever brings readers directly into artists’ lives: we see their stories as a sequence of images and feel like we were in their heads as if we were part of their thoughts.
Empathy is one of the reading keys of this graphic novel and of feminism itself: being able to see the artist’s faces and memories adds an emotional value that lets the reader better understand their point of view. And this narrative method is also important because it makes the artists define themselves and not be described by an external gaze.
Slide 54 - Tekstslide
Deze slide heeft geen instructies
Slide 55 - Tekstslide
Deze slide heeft geen instructies
Slide 56 - Tekstslide
Deze slide heeft geen instructies
Slide 57 - Tekstslide
Deze slide heeft geen instructies
Slide 58 - Tekstslide
Deze slide heeft geen instructies
Slide 59 - Tekstslide
Deze slide heeft geen instructies
Slide 60 - Video
Deze slide heeft geen instructies
Slide 61 - Tekstslide
Deze slide heeft geen instructies
Slide 62 - Tekstslide
Deze slide heeft geen instructies
Slide 63 - Video
Deze slide heeft geen instructies
Slide 64 - Tekstslide
Deze slide heeft geen instructies
Slide 65 - Tekstslide
Deze slide heeft geen instructies
Slide 66 - Tekstslide
Deze slide heeft geen instructies
Slide 67 - Video
Deze slide heeft geen instructies
Slide 68 - Video
Deze slide heeft geen instructies
Slide 69 - Video
Deze slide heeft geen instructies
Slide 70 - Tekstslide
Deze slide heeft geen instructies
Slide 71 - Tekstslide
Deze slide heeft geen instructies
Slide 72 - Tekstslide
Deze slide heeft geen instructies
Slide 73 - Video
Deze slide heeft geen instructies
Slide 74 - Video
Deze slide heeft geen instructies
Slide 75 - Tekstslide
Deze slide heeft geen instructies
Slide 76 - Video
Deze slide heeft geen instructies
Slide 77 - Video
Deze slide heeft geen instructies
Slide 78 - Tekstslide
Deze slide heeft geen instructies
Slide 79 - Tekstslide
Deze slide heeft geen instructies
Slide 80 - Video
Deze slide heeft geen instructies
Slide 81 - Tekstslide
Deze slide heeft geen instructies
Slide 82 - Tekstslide
Deze slide heeft geen instructies
Slide 83 - Video
Deze slide heeft geen instructies
Slide 84 - Tekstslide
Deze slide heeft geen instructies
Slide 85 - Video
Deze slide heeft geen instructies
Slide 86 - Tekstslide
Deze slide heeft geen instructies
Slide 87 - Video
Deze slide heeft geen instructies
Slide 88 - Video
Deze slide heeft geen instructies
Slide 89 - Tekstslide
Deze slide heeft geen instructies
Slide 90 - Tekstslide
Deze slide heeft geen instructies
Slide 91 - Video
Deze slide heeft geen instructies
